Probe The Act With Movie Director And Screenwriter Lisa Mikitarian (Director Of ‘Spent’ And ‘Butterfly Kisses’) Part 1 of 4

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Show Transcripts

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Probe the act on Deepstuff Radio.

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Deep Star.

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Hello, hello, hello, I’m Emmy Hikins your host.

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Welcome to Probe the act.

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Show where we get to dig into the lives of the people behind the music here here on Deep

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Star Radio.

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Where the artist tells us a bit more about who they really are.

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Ooh, that sounds scary.

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(laughs)

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That’s me. We’ll laugh, by the way.

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In case you’re guessing.

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Thank you and welcome to the show.

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Welcome to a lip-stop video.

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And today we have on the show,

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on Probiopt, on lip-stop video of Emily Hikens.

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Today we have Lisa, Mikaterian, all the way from America.

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At what part of America are you from, Lisa?

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Right now, well, we just moved to Charleston, South Carolina area.

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It’s beautiful here.

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Brilliant. Charleston, South Carolina.

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America’s a big place, isn’t it?

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(laughs)

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Yeah, yeah.

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You get a little bit of everything.

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(laughs)

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So, Lisa, how did you get into filmmaking?

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Well, it was really accidental.

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Probably like every good thing in my life.

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I can’t say it’s careful planning and plotting on my part.

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I’m a writer by trade,

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and I got a book of short stories published

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by a small publishing house in Tennessee,

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and they asked me to do a promo video for the book.

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And so I did.

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And then, it was just such a fascinating thing

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to watch, the promo video being put together.

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And then I decided to do a short story from the book,

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make it into a very short,

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and then I was kind of hooked and decided

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I wanted to make my own film, “Peture.”

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So, there really wasn’t,

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it kind of happened step by step accidentally.

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Yeah, well, that’s fascinating.

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So, was you ever into acting?

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You know, you like some people get into acting in college

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or high school, would you ever interact

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in any staging alive?

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You know, I dabbled in it.

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I was in a couple of things in high school,

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and then there’s, you know, adult theater,

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but I never felt like I was in my own skin

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when I was pretending to be somebody else.

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And that’s just not a place where I could lose myself.

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And I was way too self-conscious.

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And I just feel like to be a really great actor.

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You have to completely lose yourself

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and become one in one with that character.

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And, you know, so you keep the connection with the audience.

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So the audience doesn’t feel

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that you are a self-consciousness.

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Oh, I see, yeah, well, that’s a good point there.

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So, what would you say motivates you in life, generally?

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I think the creative process is very motivating for me.

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I really love it.

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Some people like, you know, working on their own projects

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and doing their own things from beginning to end.

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But it is really been the collaboration that I feel like

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I just direct joy working with other people

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and building something that none of us really could have foreseen

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because art is so organic, you can have a plan.

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But if you’re really involved in it, it does change.

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And it becomes something that’s greater than all the people, you know, involved.

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And it’s a beautiful process.

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And I think it speaks to my soul.

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Yeah, yeah.

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That’s a good way of getting motivated for something.

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I mean, a lot of people derive their motivation

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from other things in life, you know.

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But I suppose for me, nothing would be creating something.

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You know what I mean?

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If you’re motivated by creating something,

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that’s a really good force to be motivated by it.

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And that’s great, honestly, I would say.

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Right, so we’re going to take a shot break.

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Now, what we’re going to come back, we’re going to be talking to Lisa about.

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She’s going to be telling us a bit more about the movie’s paint.

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So without shortly, please don’t go away.

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Without shortly.

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[Music]

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