Show Transcripts
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Probe the act on Deepstuff radio Probe the act on Deepstuff radio Probe
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Hello, hello, hello, many of you can hear your host
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Welcome to Probe the act
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The Show where we get to dig into the lives of the people behind the music you hear here on Deepstuff radio
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Where the artist tells us a bit more about who they really are
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Ooh, that sounds scary
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(laughing)
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That’s me, we’ll laugh by the way,
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case you’re guessing.
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Thank you, welcome to the show.
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(upbeat music)
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- Welcome to agrobdmi app on DeepSoFreadyTV,
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we’re making tonight,
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where you have a lovely, lovely guest on our show,
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Rosefein, all the way from Kumbria.
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How are you tonight, Rose?
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- I’m great, I’m doing pretty much
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having you on the show, let’s talk to you.
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- Yes, I’m good, I’m good, good to have you on the show.
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So, our listeners are home,
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would like to know what you started in music.
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- Well, well, first of all,
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I hit a big birthday and my friends slept together
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and bought me some recording time.
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- What?
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(laughing)
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- And I could not believe it,
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I just thought it was about
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the smallest present ever.
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And then I was too scared to go and use it.
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(laughing)
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Because I just sort of hope I gotta do.
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Anyway, I eventually, I think after 12 months,
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I talked to the courage to go to this studio.
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And I did every call, you know, some colors.
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And I was terrified, my legs wouldn’t shake
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and everything, and then,
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when I heard it, I was saying something,
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I can’t believe it.
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- Right, ’cause that was that,
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was that your first time in this studio, then?
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- Yeah, it was the first time in this studio,
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I couldn’t believe it.
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So, I had these, I had these comments that I’d done
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and I still had a little bit of time left.
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- Yeah.
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- And then, as they say, I wrote my first song,
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it’s 2016, it’s only 2016,
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and I had it for a while,
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and the lyrics had the tune,
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but I couldn’t get it down anywhere,
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and I had friends trying to help me,
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but it wasn’t working out,
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that how it wasn’t my head.
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So then, I looked at the courage and I got in touch
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with Tom Tyson and Reed Studios in every month,
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and I said, look, I’ve got what I think is a song.
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And I just sent it to you to see if you think you can help me.
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So, I think he said, oh, Rose, he goes,
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I think you’ve got something here.
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(laughing)
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Come up to this studio, we’ll get John,
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and it’s a common play taught me on the piano.
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- Right.
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- So, I went up and I had to sing it to him.
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- Yep.
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- And within, and I worked, we had the song down,
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and I had a demo with a guy called Clawnet,
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and that was my song, you got me,
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and I was like, oh, wow, this is really good.
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I listened to it some more, and then I saw,
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I really could do with some guitar on it,
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and I knew a guitarist,
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and he did a music, so I got into it with him,
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and I said, would you have a listen to this song?
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- Yep.
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- And see if he would like to put some guitar on it,
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and he said, oh, yeah, do I like it?
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So, he came up and he put the guitar on it,
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and that was it, you got me, and I registered it with BBC,
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it’s a juicy, and then played this,
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and it got played quite a lot,
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and then he always said, what a great song.
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And then I was like, really, I was so excited,
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and that was the first one I did, and that got me into it,
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and I thought it was gonna be by one and only,
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and I thought it was on three, a little album,
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with the cover, it’s not that good,
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and I called it by one and only, because it was out of it.
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I thought that was it, and then the next thing I came up
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with another song, and this was about my grandson Isaac,
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he has autism, and he’s got non verbal autism,
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so he doesn’t speak, and I wrote the full show the way,
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and it was kind of quite a juicy number,
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and I picked up a song as well,
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and sorry, the stuff didn’t go in on G8, so annoying,
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and I don’t know how to stop it.
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- Oh, right.
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- So, yes, I wrote that song,
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and it was really, that I realized
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that it’s a saxophone on it, and to think the same,
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well, what is a saxophone?
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So, I was going up to the studio, and I was like,
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well, I had to sort of like do saxophone noises,
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and then, I got all right, you’ve got you, so…
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(laughing)
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I said to a friend, and then another song on the outside,
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I knew it was a saxophone, and I said to the whole gym,
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and he, you know, putting some saxophones,
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and he said, “Oh yeah, we’d love to, so,
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“that was Rosaluma, and she came down,
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“and she put the saxophone on it, and I loved that song.”
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And he told about it, and my grandson wasn’t in tune,
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he would come and get hold of your hand,
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and drag you to show you what it was trying to communicate to you.
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- Yeah.
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- And that’s been, you know, a really lovely song to do,
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and it’s got a video for that as well, I made a video.
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I have seen a video, it’s a lovely video, but like…
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- It’s a few, since then, you have a friend in South Africa,
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who has helped each of his friends across the world.
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Just in this last two and a half years, three years,
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since I’ve been doing music, honestly,
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and cannot believe how many people have contacted me,
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and I’m friends with, and after the collaboration
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with very few people,
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I just think, “Can I start singing?”
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“Does it really want to do something with me?”
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- It’s like…
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- It’s beautiful.
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It’s beautiful, because you’ve got a role in talent,
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you say, “Yup, the way, the composition,
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“everything, the package is just right.”
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You see, and that attracts a lot of attention,
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and it attracts a lot of people.
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- It’s basically…
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- That’s what it is.
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That’s what it is.
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- Anyway, so we’re gonna take a short break now.
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Please don’t go away.
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Listen to “I Probe the Art” on Deep Stop Radio
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with every hit dance, and I love Lee, lovely,
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a singer and a songwriter all the way
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from “Combre at Rose Fane.”
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And without shortly, please don’t go away.
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(upbeat music)
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(upbeat music)
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(upbeat music)
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(upbeat music)
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[Music]
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